a fistful of dollars

The gold is ostensibly being delivered to a troop of American … Aspect Ratio: 2.35:1. Despite the fact that even Hollywood began to gear down production of such films, Leone knew that there was still a significant market in Europe for westerns. It is here that he introduced the lonely whistling, guitar music, chorus, and unusual combinations and styles that developed into the music that has become in the U.S. synonymous with westerns and duels in the same way that Leone's visuals and themes have. It was followed by For a Few Dollars More and The Good, the Bad and the Ugly, also starring Eastwood. In his opinion, the American westerns of the mid- to late-1950s had become stagnant, overly preachy and not believable. Harrison suggested Eastwood, who he knew could play a cowboy convincingly. Like Leone's other films, it is timeless. As a movie tie-in to the American release, United Artists Records released a different set of lyrics to Morricone's theme called Restless One by Little Anthony and the Imperials. The film was initially shunned by the Italian critics, who gave it extremely negative reviews. Leone requested Morricone to write a theme that would be similar to Dimitri Tiomkin's El Degüello (used in Rio Bravo, 1959). "[51] Leone ignored the resulting lawsuit, but eventually settled out of court, reportedly for 15% of the worldwide receipts of A Fistful of Dollars and over $100,000. Leone himself believed that Red Harvest had influenced Yojimbo: "Kurosawa's Yojimbo was inspired by an American novel of the serie-noire so I was really taking the story back home again."[55]. [34] In 1969, it was re-released, earning $1.2 million in theatrical rentals. [46][47], The retrospective reception of A Fistful of Dollars has been much more positive, noting it as a hugely influential film in regards to the rejuvenation of the Western genre. A mysterious stranger with a harmonica joins forces with a notorious desperado to protect a beautiful widow from a ruthless assassin working for the railroad. Jonathan Ward. "[54] Leone has cited these alternate sources in his defense. An unnamed stranger[N 1] arrives at the little town of San Miguel, on the Mexico–United States border. This was influenced by both John Ford's cinematic landscaping and the Japanese method of direction perfected by Akira Kurosawa. A low-life bandit and an I.R.A. Good To Know. A Fistful of Dynamite. Your own words, Ramon. A wandering gunfighter plays two rival families against each other in a town torn apart by greed, pride, and revenge. The film's music was written by Ennio Morricone, credited as Dan Savio. [35][36] The film sold 4,383,331 tickets in France and 3,281,990 tickets in Spain,[37] for a total of 22,462,596 tickets sold in Europe. [10] Di Leo claimed that after Leone had the idea for the film, Tessari wrote the script and he gave him a hand. He convalesces within a nearby mine, but when Piripero tells him that Silvanito has been captured, the Stranger returns to town, to confront the Rojos. Take a look ahead at all the major movie releases coming to theaters and streaming this season. Close-ups of Eastwood's face from archival footage are inserted into the scene alongside Stanton's performance. He betrays and plays the gangs against one another in order to make money. He learns from Silvanito that Ramón had framed Julio as cheating during a card game, and taken Marisol as a prisoner living with him. He, too, declined, arguing that the script was bad. [17] Harrison later stated, "Maybe my greatest contribution to cinema was not doing A Fistful of Dollars and recommending Clint for the part. "Some of the music was written before the film, which is unusual. 164 of 191 people found this review helpful. A stranger, Joe (Eastwood), with innkeeper Silvanito (José Calvo), watches as Mexican soldiers bring a shipment of gold through San Miguel. Leone asserted that this rooted the origination of Fistful/Yojimbo in European, and specifically Italian, culture. Kurosawa insisted that Leone had made "a fine movie, but it was my movie. [10], Adriano Bolzoni stated in 1978 that he had the idea of making Yojimbo into a Western and brought the idea to Franco Palaggi, who sent Bolzoni to watch the film and take notes on it with Duccio Tessari. One of my most favourite films "A Fistful of Dollars" was one of the first films to use Gran Canaria's desert type backdrops. [52][53], British critic Sir Christopher Frayling identifies three principal sources for A Fistful of Dollars: "Partly derived from Kurosawa's samurai film Yojimbo, partly from Dashiell Hammett's novel Red Harvest (1929), but most of all from Carlo Goldoni's eighteenth-century play Servant of Two Masters. A Fistful of Dollars is an unofficial remake of Akira Kurosawa's 1961 film Yojimbo starring Toshiro Mifune, which resulted in a successful lawsuit by Toho. The major elements that would carry over to that sequel, The Good the Bad and the Ugly, and ultimately the global pop-culture consciousness, are all on fine form here. Both Fonda and Bronson would later star in Leone's Once Upon a Time in the West (1968). A wandering gunfighter plays two rival families against each other in a town torn apart by greed, pride, and revenge. From shop SepeWood. The Stranger seizes an opportunity when he sees the Rojos massacre a detachment of Mexican soldiers who were escorting a chest of gold (which they had planned to exchange for a shipment of new rifles). A Fistful of Dollars (Italian: Per un pugno di dollari) is a 1964 Spaghetti Western film directed by Sergio Leone and starring Clint Eastwood in his first leading role, alongside Gian Maria Volonté. Alessandroni provided the whistling on the soundtracks. [25] He also brought props from Rawhide including a Cobra-handled Colt, a gunbelt, and spurs. With the score of A Fistful of Dollars, Morricone started his ten-year collaboration with his childhood friend Alessandro Alessandroni and his Cantori Moderni. In 1964, Yojimbo was remade as A Fistful of Dollars, a Spaghetti Western directed by Sergio Leone and starring Clint Eastwood in his first appearance as the Man with No Name. Ramón kills John and Antonio Baxter, after pretending to spare them. Esteban Rojo aims for the Stranger's back from a nearby building, but is shot dead by Silvanito. The producers later presented a list of available, lesser-known American actors and asked Harrison for advice. A wandering gunfighter plays two rival families against each other in a town torn apart by greed, pride, and revenge. You shoot to kill, you better hit the heart. Despite the initial negative reviews from Italian critics, at a grassroots level its popularity spread and over the film's theatrical release, grossing 2.7 billion lire (US$4.4 million) in Italy, more than any other Italian film up to that point,[34] from admissions of 14,797,275 ticket sales. Some American critics felt differently from their Italian counterparts, with Variety praising it as having "a James Bondian vigor and tongue-in-cheek approach that was sure to capture both sophisticates and average cinema patrons".[38]. [38] The film grossed $4.5 million for the year. When a madman calling himself "the Scorpio Killer" menaces the city, tough-as-nails San Francisco Police Inspector "Dirty" Harry Callahan is assigned to track down and ferret out the crazed psychopath. He is recognizable by his poncho, brown hat, tan cowboy boots, fondness for cigarillos, and the fact that he rarely talks. Tweet. [21] For the Italian version of the film, Eastwood was dubbed by stage and screen actor Enrico Maria Salerno, whose "sinister" rendition of the Man with No Name's voice contrasted with Eastwood's cocksure and darkly humorous interpretation. The look of A Fistful of Dollars was established by its Spanish locations, which presented a violent and morally complex vision of the American Old West. Howard Hughes, in his 2012 book Once Upon a Time in the Italian West, reflected by stating: "American and British critics largely chose to ignore Fistful's release, few recognising its satirical humour or groundbreaking style, preferring to trash the shoddy production values...". As few Spaghetti Westerns had yet been released in the United States, many of the European cast and crew took on American-sounding stage names. He observed that Italian audiences laughed at the stock conventions of both American westerns and the pastiche work of Italian directors working behind pseudonyms. [23] This is quite different from Hollywood's use of close-ups that used them as reaction shots, usually to a line of dialogue that had just been spoken. Claudio Carvalho, Rio de Janeiro, Brazil. [39] It eventually grossed $14.5 million in the United States and Canada. [8] The film was at first intended by Leone to reinvent the western genre in Italy. [13][14][15][16] Leone then turned his attention to Richard Harrison, an expatriate American actor who had recently starred in the very first Italian western, Duello nel Texas. Fistful of Dollars was Volontè’s big break, and he repaid Leone with explosively good performances here and a year later in the even-better For a Few Dollars More. A Fistful of Dollars created the spaghetti western genre which encompassed more than 200 films, sharing the features of being created in Italy, frequently being filmed in Spain, featuring self-assured killers with no names, scores either by Ennio Morricone, or in his style, and, of course, the shootout. Frame-by-frame digital restoration by Prasad Corporation removed dirt, tears, scratches and other defects. Sergio Leone Western Movie Locations 'For a fistful of dollars', what a splendid idea Sergio Leone had, to name his movie, shot in 1964 in the Desert of Tabernas (Almeria). Unauthorized Remakes, Adaptations, Sequels and Cash-Ins, Reel Radicals: The Sixties Revolution in Film. One must also admit that it is amazing that in the U.S. an Italian film maker basing his films partly in Italian culture and an Italian composer could come to so define and be synonymous with this genre that Americans had considered so uniquely American, and highlight its underlying universality. A Fistful of Dollars is also notable for establishing Clint Eastwood as a star. [40] This adds up to $18.9 million grossed in Italy and North America. With a steel chest-plate hidden beneath his poncho, he taunts Ramón to "aim for the heart" as Ramón's shots bounce off, and Ramón exhausts his Winchester rifle. "[19], A Fistful of Dollars was an Italian/German/Spanish co-production, so there was a significant language barrier on set. Similarly, one should not criticize this film for being based on Yojimbo, for that film itself was based on an American story while A Fistful of Dollars really is very different in many key respects, not least of all Leone's visual style or his own sense of irony and symbolism derived from Italian precedents and Hollywood westerns.We also see the nascent Leone visual style here, with the close-up style and contrast of close-ups and long shots appearing. He is a morbid, amusing, campy fraud". [9][10] Following their screening, they discussed how it could be applied into a Western setting. These included Leone himself ("Bob Robertson"), Gian Maria Volonté ("Johnny Wels"), and composer Ennio Morricone ("Dan Savio"). Product Identifiers: EAN: 5039036034692: eBay Product ID (ePID) 60528556: Product Key Features: Format: DVD: Release Year: 2007: Genre: Westerns: Leading Role: Gian Maria Volonte, Marianne Koch, Ed Begley, Eli Wallach, Clint Eastwood, … A Fistful of Dollars This alone sets it apart from previous films, westerns and non-westerns alike, and still provides for great visual treats that one can appreciate today.This film also ushered in Leone's obsession with details, hard faces, grungy people, etc., that also revolutionsed the genre.This films also marks the first brilliant score of Ennio Morricone. This long gun belongs to a man with no name. [22], A Fistful of Dollars became the first film to exhibit Leone's famously distinctive style of visual direction. "Ennio Morricone" by Jerry McCulley, essay in the 1995 CD "The Ennio Morricone Anthology", Rhino DRC2-1237, The character, notably publicised as "the, American westerns of the mid- to late-1950s, "Per un pugno di dollari - Box Office Data, DVD Sales, Movie News, Cast Information", "Eastwood Remembers 'Fistful of Dollars' Director", "Los primeros decorados del Oeste en España, en Hoyo de Manzanares", "Relive the thrilling days of the Old West in film", "Entretien avec Richard Harrison (English version)", "More Than A Fistful of Interview: Christopher Frayling on Sergio Leone", "La classifica dei film più visti di sempre al cinema in Italia", "Per un pugno di dollari (A Fistful of Dollars) (1964)", "Screen: 'A Fistful of Dollars' Opens; Western Film Cliches All Used in Movie Cowboy Star From TV Featured as Killer", "A Fistful of Dollars (Per un Pugno di Dollari) (1964)", "A Fistful of Dollars to be shown at Cannes Film Festival", "FISTFUL - The Whole Story, part 2 - The Spaghetti Western Database", "Cannes: Quentin Tarantino to Host Screening of 'A Fistful of Dollars, The Good, the Bad and the Ugly: Original Motion Picture Soundtrack, https://en.wikipedia.org/w/index.php?title=A_Fistful_of_Dollars&oldid=1013013537, Films involved in plagiarism controversies, Pages with non-numeric formatnum arguments, All Wikipedia articles written in American English, Articles containing Italian-language text, Articles with unsourced statements from June 2017, Wikipedia articles with CANTIC identifiers, Wikipedia articles with PLWABN identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 19 March 2021, at 15:16. Guess he did so, in order to laugh rather than cry while contemplating the inadequate budget of 20 million Pesetas (some 120,000 Euros). [9] Tonino Valerii alternatively said that Barboni and Stelvio Massi met Leone outside a theater in Rome where they had seen Yojimbo, suggesting to Leone that it would make a good Western. 'For a Fistful of Dollars'[1] titled on-screen as Fistful of Dollars) is a 1964 Spaghetti Western film directed by Sergio Leone and starring Clint Eastwood in his first leading role, alongside John Wells, Marianne Koch, W. Lukschy, S. Rupp, Jose Calvo, Antonio Prieto, and Joe Edger. ALthough in many respects this film pales in comparison with Leone's later films, it is itself a brilliant cinematic achievement. He takes two of the dead bodies to a nearby cemetery and sells information to each of two groups, saying that two Mexican soldiers survived the attack. The Stranger bids farewell, and rides away from town in the film's last shot. Next, Leone offered Charles Bronson the part. A Fistful of Dollars is a genius film for its time and for all of movie history. Reply Notify me 2 … Even to the extent that the skills of Leone, Morricone, and others hadn't fully flowered yet, this film is incredible at how brilliantly it is handled for what is really a first-time go. Read more. [10] Leone himself would suggest that he wrote the entire screenplay himself based on Tessari's treatment. [26] The poncho was acquired in Spain. Leone's films were made like that because he wanted the music to be an important part of it, and he often kept the scenes longer simply because he didn't want the music to end. Written and directed by Monte Hellman, it featured an unidentified official (Harry Dean Stanton) offering the Man With No Name a chance at a pardon in exchange for cleaning up the mess in San Miguel. Silvanito, the town's innkeeper, tells the Stranger about a feud between two smuggler families vying to gain control of the town: the Rojo brothers (Don Miguel, Esteban and Ramón), and the family comprising town sheriff John Baxter, his matriarchal wife Consuelo, and their son Antonio. While the character is universally known as "the Man with No Name", he was called "Joe" by another character, and listed in the credits as such, in the firs [9] Actor and friend of Leone Mimmo Palmara told a similar story to Valerii, saying that Barboni had told about Yojimbo to him and he would see it the next day with Leone and his wife Carla. Subtitles: English. A Fistful of Dollars was filmed between April and June 1964, on a tiny budget of no more than $ 200,000. An unnamed stranger arrives at the little town of … Clint Eastwood Marianne Koch Gian Maria Volont é. Missouri farmer Josey Wales joins a Confederate guerrilla unit and winds up on the run from the Union soldiers who murdered his family. However, Joe decides to work for both sides, playing one side against the other. Additional cast members include Raf Baldassarre as Juan De Dios, Nino del Arco as Jesus, Enrique Santiago as Fausto, Umberto Spadaro as Miguel, Fernando Sánchez Polack as Vicente, and José Riesgo as the Mexican cavalry captain. Written by A Fistful of Dollars doesn’t pretend to reconcile its cynical vision of power with its irresponsible sentimentalizing of retribution—a conflict of ideas that’s at the heart of most action films. Collectively, the films are known as the "Dollars Trilogy", or the "Man with No Name Trilogy" after the United Artists publicity campaign referred to Eastwood's character in all three films as the "Man with No Name". Emerging markets (EMs) have become more exposed to the global financial cycle in recent years. The bulk of the movie was shot in Spain, in the Almeria province and Hoyo the Manzanares and Colmenar Viejo, close to Madrid. Leone reportedly took to Eastwood's distinctive style quickly and commented that, "More than an actor, I needed a mask, and Eastwood, at that time, only had two expressions: with hat and no hat. Marianne Koch in A Fistful of Dollars (1964) Born 19 August 1931 (age 89) Munich, Germany. Your Favorite Ennio Morricone Western Soundtrack? In 1962 expatriate American folk singer Peter Tevis recorded a version of Woody Guthrie's "Pastures of Plenty" that was arranged by Morricone. In 2014, the film was digitally restored by Cineteca di Bologna and Unidis Jolly Film for its Blu-ray debut and 50th anniversary. Joe discovers that the town is dominated by two gangster lords: John Baxter (Wolfgang Lukschy) and the cruel Ramón Rojo (Gian Maria Volontè).
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