The 400 Blows essays are academic essays for citation. For the auteur theory, we get to know that camera is the pen for the directors to describe their own visions and life experiences using the camera. While Godard’s experimentation in Breathless is quite apparent on screen, the revolutionary techniques Truffaut used on The 400 Blows are quite seamless. Realistic Sound (Diegetic) (Emotional Response) ET 94 37. Find out more and purchase tickets at the MIFF website. Arlene Croce, “A Review”, The 400 Blows – A Film by François Truffaut, ed. For example, The 400 Blows (Francois Truffaut, 1959) is a semi-autobiographical film which reflects Truffaut’s and his friend’s childhood lives. What the French new wave gave, most importantly, was a radical sense of change in cinema that would trickle throughout the world. The 400 Blows and Juvenile Delinquency; Paris as Pastoral: Urbanity in The 400 Blows and Le … Essays for The 400 Blows. Visual Foreshadowing The Piano 86 6. Music 101 39. Expressive Sound (Diegetic) (Outer World) Barton Fink 96 38. From Gavin Breeden, Charlotte, NC: When I think of great opening shots, my mind quickly goes to Francios Truffaut's 1959 masterpiece, "Les Quatre Cents Coups" (aka "The 400 Blows"). Truffaut's use in The 400 Blows of cinematic techniques, such as the zoom shot and swish pan, that call attention to the film medium also illustrates how much Truffaut was indebted to "direct cinema," or cinema verite, a documentary film movement that began in the late fifties. Part of the underlying theme of this movie as explained by Truffaut himself is, “... to portray a … These papers were written primarily by students and provide critical analysis of The 400 Blows directed by Francois Truffaut. Cinematic Techniques The extraordinary film The 400 Blows (Francois Truffaut, 1959) skillfully uses cinematic devices appropriately within the context of the theme. Realistic Sound (Diegetic) (Character) Klute 92 36. Realism is used to motivate the narrative. Endnotes. Cinematic Techniques The extraordinary film The 400 Blows (Francois Truffaut, 1959) skillfully uses cinematic devices appropriately within the context of the theme. The 400 Blows (French: Les Quatre Cents Coups) is a 1959 French New Wave drama film, and the directorial debut of François Truffaut.The film, shot in DyaliScope, stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier.One of the defining films of the French New Wave, it displays many of the characteristic traits of the movement. The French New Wave: A Cinematic Revolution. The 400 Blows will screen at the 2014 Melbourne International Film Festival (31 July – 17 August) as part of a program stream on Jean-Pierre Léaud, co-curated with Philippa Hawker. Sound Effects 89 Introduction 90 35. innovation carried out with a sense of fun in 20th-century film, and its championing of youth makes it especially relevant to the aims and concerns of the scheme. Both Godard and Truffaut were combating the same cinematic conventions, but they did so in very different ways. What was achieved on the shoestring budget of 400 Blows came to embody D.I.Y. François Truffaut’s first feature, The 400 Blows (Les Quatre cents coups), was more than a semi-autobiographical film; it was also an elaboration of what the French New Wave directors would embrace as the caméra-stylo (camera-as-pen) whose écriture (writing style) could express the filmmaker as personally as a novelist’s pen. Surreal Sound (Meta-Diegetic) (Inner World) Barton Fink 98 7. The 400 Blows 84 34. Clips from some of our greatest visual storytellers put these terms in context, showing how filmmakers use these concepts and techniques to create iconic imagery, memorable characters, and powerful stories. 1. The French new wave gave birth to such ideas as “la politique des auteur,” jump cuts and the unimportance of linear structure, if only to name a few. 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