equestrian monument of gattamelata artist

The Gattamelata was completed in 1453 and placed in the Piazza del Santo in Padua, Italy where it remains to this day. However, evidence of Donatello's personal style is unmistakable in the composition and expressiveness of the Gattamelata.Donatello drew on both the humanism and individualism of the Renaissance as well as elements of classicism to complete the magnificent Gattamelata. literary - upon Donatello's equestrian statue of Gattamelata and its audi- ences at Padua. He "was a… https://WahooArt.com/Art.nsf/O/8EWEWC/$File/Donatello-Equestrian-Statue-of-Gattamelata… Alternative Title: “Equestrian monument of Erasmo da Narni” Gattamelata, bronze statue of the Venetian condottiere Erasmo da Narni (popularly known as Gattamelata, meaning “honeyed cat”) by the 15th-century Italian Renaissance sculptor Donatello. A comparison between the sculpture and that of Marcus Aurelius' equestrian statue shows how closely Donatello looked to classical art and its themes. Artworks , Artworks. It reflects the artistic trends of the Renaissance: naturalism and the careful depiction of forms. In this sculpture a standing dog was used to carry the load under the horseshoe. The statue depicts Erasmo da Narni, a military leader who was nicknamed Gattamelata. Equestrian statue of Gattamelata. & Wilkins, David G. Donatello. See details. The Equestrian Statue of Gattamelata (1453) Erasmo da Narni, the subject of Donatello's Gattamelata, was a powerful and illustrious Venetian nobleman and condottiere (mercenary). The sculpture portrays the Renaissance condottiere Erasmo da Narni, known as ‘Gattamelata.’ He mostly served for the Republic of Venice, leading Venetian troops to victory in the Milanese wars. The pedestal under the horse is composed of two reliefs toward the top with fake doors underneath. One of the great works Donatello created while in Padua was the Gattamelata, the name of which means “honeyed cat”. Bibliolife, 2008, Equestrian Statue of Gattamelata Page's Content. The statue sits on a pedestal and is itself nearly four meters high, life-size and majestic.Da Narni died in his seventies but Donatello sculpted him as he was in his prime - powerful and dignified astride his horse. The Feast of Herod. He also produced some of the first freestanding, life-size sculptures in a time when most artists were still focusing on reliefs.The Early Renaissance paved the way for the High Renaissance and great masters such as Michelangelo, da Vinci and Raphael to name but a few. He died due to unknown causes at the age of 80 on December 13th, 1466, in Florence, Italy. Equestrian Fresco of Niccolo da Tolentino. FREE Shipping. David. It was extremely innovative for its time; its clever merging of classical elements with the naturalism of the Renaissance made it extraordinarily popular with other artists of the time and beyond. Sullivan, Mary Ann. 20% off on all cart items, sitewide! It was published in 1884 in Germany by the famous art historian Carl von LAtzow. The statue reflects the artistic trends of the Renaissance: naturalism and the careful depiction of forms. Previous equestrian statues had been reserved exclusively for kings and other rulers.Donatello's work is also a remarkable example of the fusion of Renaissance humanism and individualism with classicism. It appears to be trotting and is further evidence of Donatello's close adherence to the tenets of naturalism.The horse's left hoof rests atop a sphere that represents the world, indicating that in his prime da Narni held Italy, and indeed the world, in the palm of his hand.Da Narni himself is proud and stern-looking, staring unblinkingly ahead toward his goal. "Equestrian monument of Erasmo da Narni, called Gattamelata." Equestrian art - both paintings and sculpture - is unique in its ability to portray leaders as particularly powerful and impressively distant.There are several notable examples of equestrian monuments throughout Western art; a very famous one, often compared to the Gattamelata, is the equestrian statue of Marcus Aurelius in Rome the creator of which remains unknown. 3 (Fig. Sullivan, Mary Ann. Another famous piece of art is a sculpture called The Equestrian Statue of Gattamelata made by Donato di Niccolò di Betto Bardi, also known as Donatello in Padua Italy in 1453. He is best known for integrating elements of Classical art with that of the Renaissance (naturalism, humanism, and individualism).The artist worked and lived alongside Italian masters such as Brunelleschi and Ghiberti and Gattamelata is among his most important contributions to the Renaissance.Donatello was much in demand throughout his life by patrons and the church for his strikingly life-like and emotional works that seemed to have presence and personality of their own.He maintained a lifelong friendship with the Medici family of Florence and worked extensively for them. 1370-1443), the "Gattamelata" (speckled cat) who led Harvey Miller Publishers, 1980 • Lubbock, Jules. But there may have been instances when Renaissance sculptors consciously encountered the art of classical Greece and recognized it as an aesthetic form sui generis. The statue, as were all bronze statues of this time, was made using the lost wax method. Saint Mark. Measuring 340 x 390 cm (the base measuring 780 x 410 cm, it is the earliest surviving Renaissance equestrian statue and the first to reintroduce the grandeur of Classical equestrian portraiture.After its conception, the statue served as a precedent for later sculptures honoring military heroes. 2006. While the Bamberg Horseman depicts a German emperor, it lacks the dimension, power, and naturalism of Gattamelata. Equestrian statue of Gattamelata (1453), located in the Piazza del Santo in Padua, is one of Donatello’s most outstanding achievements. Equestrian statue of Gattamelata: Judith and Holofernes: There are many artists when it comes to Florentine Art. Steven: This is really important, and I think it’s a little bit difficult for us to understand how extraordinary that ancient sculpture must have seemed. His most famous pieces of art include David, Saint Mark, and the Equestrian statue of Gattamelata. Donatello: Statue of Gattamelata (1444–1453) After the Romans, no surviving monumental equestrian bronze was cast in Europe until 1415–1450 when Donatello created the heroic bronze Equestrian statue of Gattamelata the condottiere, erected in Padua. Also similar is the feeling of grandeur, authority, and power both portraits exude. He died in 1466 at the age of 80 after a long and extraordinarily prosperous career. To learn more about Donatello please choose from the following recommended sources.• Bennett, Bonnie A. The attention to the horse’s musculature and movement and the realistic depiction of the emperor (forgiving his size) are mirrored in Gattamelata. The Gattamelata was a commissioned piece of work for which Donatello no doubt received clear instructions and guidelines. Harry N Abrams, 1993 • Pope-Hennessy, John Wyndham. Works by other artists: Honoring leaders, kings, and other rulers through art has been common practice for centuries. Donatello's Saint Mark (1411–1413) is a marble statue that stands approximately seven feet and nine inches high and is displayed in the museum of the Orsanmichele church, Florence. He commands a powerful horse and both appear ready for battle. The Gattamelata was produced during the Early Renaissance, a period characterized by the art world's shaky transition out of the staid and largely unimaginative traditions of Gothicism.The Early Renaissance saw the first masters of the time experiment with color, perspective, tone, subject matter and many other aspects of their work. "Equestrian monument of Erasmo da Narni, called Gattamelata". Artists Artworks Buy About us Buy 3 paintings and get 20% + 10% off on all items. [5] One relief shows Gattamelata's coat of arms flanked by two putti that are pointing to it. Marcus Aurelius’s horse is dressed up, and, while the emperor himself is clad in robes, not armor, he appears both the political and military leader. “Donatello (ca 1386–1466)”. Moyer Bell Limited, 1985 • Janson, H. W. Sculpture of Donatello. The work is of Erasmo da Narni (nicknamed Gattemelata) who conquered the city in which the statue lies. "Donatello (ca. Erasmo da Narni, the subject of Donatello's Gattamelata, was a powerful and illustrious Venetian nobleman and condottiere (mercenary). Donatello sculpted the Gattamelata using the lost wax method, which was standard at the time for bronze statues, but he incorporated an individualism and emotional quality with which other sculptors had yet to experiment. The Colleoni, an equestrian statue of condottiere Bartolomeo Colleoni, was completed by Andrea Verrocchio some time during the mid to late fifteenth century. Method: The Gattamelata was groundbreaking in many ways. In 1443, Donatello left Florence for northern Italy to accept a commission in Padua to make a commemorative monument in honor of the recently deceased Venetian condottiero Erasmo da Narni, nicknamed Gattamelata. The statue is made of bronze, which is copper mixed with some other metals. The horse echoes the alert, self-contained and courageous air of the rider. The statue sits on a pedestal, and both the c… The statue sits on a pedestal, and both the condottiero and his horse are portrayed in life size. A-level: Donatello, Equestrian Monument of Gattamelata by Dr. Beth Harris and Dr. Steven Zucker Donatello, Equestrian Monument of Gattamelata (Erasmo da Narni) , 1445-53, bronze, 12′ 2″ high, Piazza del Santo, Padua Draper, James David. “Equestrian monument of Erasmo da Narni, called Gattamelata". His military victories were well-known throughout the Italian city-states of the Pre-Renaissance period and his family was well respected.Da Narni died in 1443 and soon afterwards, his family commissioned the Gattamelata to commemorate da Narni's military prowess and fame.Donatello began work immediately on the statue and finished it ten years later in 1453. Da Narni was a serious military leader, followed and trusted by the fifteenth-century Italians - qualities which Donatello made obvious in his rendering of the famous condottiere. It is also believed to be the first equestrian sculpture during the early Renaissance. The statue, as were all bronze statues of this time, was made using the lost wax method. [6] Gattamelata is portrayed as a warrior figure, carrying a baton symbolising his military leadership and with a lengthy sword. To make a bronze statue back then, people had to do something called Lost … Sullivan, Mary Ann. Yale University Press, 2006 • Poeschke, Joachim. Artist Donatello used clear elements of symbolism in order to portray this military figure in the right light. He was, rather, a Venetian condottiere, or mercenary, renowned throughout the Italian peninsula for his military genius.However, despite the faint controversy caused by the statue, it came to be regarded as one of Donatello's most important works. After Erasmo of Narni's death in 1443, the mercenary’s family paid for a sculpture in his honor. Famous Artwork by Donatello. “Equestrian monument of Erasmo da Narni, called Gattamelata.”, Equipment of the Republic of Singapore Air Force, Donatello's Equestrian Monument of Gattamelata, "Donatello's Equestrian Monument of Gattamelata", http://smarthistory.khanacademy.org/donatello-equestrian-monument-of-gattamelata.html, Donatello’s Gattamelata and its Humanist Audience, 'Equestrian Statue of Gattamelata' Analysis and Critical Reception, Equestrian Statues and Paintings of the Renaissance, Articles incorporating text from Wikipedia, Draper, James David. Donatello, Equestrian Monument of Gattamelata (Erasmo da Narni), 1445-53, bronze, 12 feet, 2 inches high, Piazza del Santo, Padua Speakers: Dr. Beth Harris and Dr. Steven Zucker. Gattamelata is the first Renaissance equestrian statue reintroducing, after more than a millennium, the grandeur of classical equestrian portraiture. Google Classroom Facebook Twitter WahooArt.com-A-8EWEWC-EN. Donatello’s “ Gattamelata, portrays the Renaissance condottiero Erasmo da Narni, which is known as, “ Gattamelata.” Equestrian statue of Gattamelata, Padua, Italy - stock illustration "Artist:Donatello, 1453, Piazza del Santo, Padua, ItalyThis illustration comes from a beautiful book on the history of arts in Italy. His power is derived solely from his crown, reflecting the differences that Renaissance individualism produced: here, position – the crown – is what matters, whereas in Gattamelata, it is the individual and his character that matter. Web Gallery of Art, image collection, virtual museum and searchable database of European fine arts (painting, sculpture, illumination) of the Romanesque, Gothic, Renaissance, Baroque, Neoclassicism, Romanticism, Realism, Impressionism periods (1000-1900), containing over 31.100 reproductions. For the first time artists were able to explore subject matter unrelated to religion.Donatello was one of the leading innovators of the Early Renaissance; he is credited with having bridged the gap between the Renaissance and the Classic world by harmoniously incorporating elements of both into his sculptures. This work of art became the blueprint for equestrian monuments honoring military heroes. However, the emperor also has a facial expression of dominance and determination. In 1443, Donatello was called to Padua by the heirs of the famous condottiero Erasmo da Narni (better known as the Gattamelata, or "Honey-Cat"), who had died that year. He died due to unknown causes at the age of 80 on December 13th, 1466, in Florence, Italy. Introduction The work of art from the Renaissance period that I found to be most interesting was the Equestrian Monument of Gattemelata by Donatello. Normally, equestrian statues could legally only depict rulers, which Erasmo was not. Created by Beth Harris and Steven Zucker. This is the earliest surviving equestrian statue from the Renaissance. It remains today where it was placed upon its completion, in the Piazza del Santo in Padua, Italy.The Gattamelata was famous at the time for its departure from traditional equestrian statue subjects. Thus, Donatello makes a statement of the power of the real-life individual; he does not need to embellish or make grander whom Gattamelata was – the simple depiction of the real man is enough to convey his power. 28 February 2010. It was commissioned by the famous and wealthy da Narni family of Padua and remains today where it was originally placed, in the Piazza del Santo.The Gattamelata caused a slight stir when it was unveiled; up until that point in time equestrian monuments had been reserved for kings and other rulers or heads of state. Coordinates: 45°24′05″N 11°52′47″E / 45.40139°N 11.87972°E / 45.40139; 11.87972. Donatello, Equestrian Monument of Gattamelata Beth: And, it’s important to note that Donatello was twice in Rome, because he got to see the great equestrian sculpture of Marcus Aurelius. Erasmo da Narni, the subject of the Gattamelata, was none of these. Donatello's other important Paduan commission besides the High Altar in the Basilica, of a very different kind, was the creation of a bronze equestrian monument (1447–53) to Erasmo da Narni (1370–1443), known as Gattamelata, a deceased captain-general of the Venetian army. Donatello. Furthermore, he relied on his own capacity for expression in his work rather than physical dimensions. The horse’s front left hoof rests on an orb, which symbolizes the earth, representing his power not only in Padua or Italy, but in the entire world. Though it was conceived in the typical lost wax method, from there Donatello's methods deviate markedly from the norm. Donatello: Sculptor. Art is more than just the end result; it is what leads the artist to that creation and perhaps why they choose to make something. Donatello also conveys Gattamelata’s power with symbolism. Zuccone. The Equestrian Statue of Gattamelata is a sculpture by Italian early Renaissance artist Donatello, dating from 1453,[1] located in the Piazza del Santo in Padua, Italy, today. Web. In this depiction of Marcus Aurelius, the emperor dwarfs his horse, dominating it by size. It portrays the Renaissance condottiero Erasmo da Narni, known as "Gattamelata", who served mostly under the Republic of Venice, which ruled Padua at the time. He did not bother to make the statue larger than life, as in the case of the classical equestrian statue of Marcus Aurelius (see Related Sculptures below); instead, Donatello manipulated the posture, facial expression and position to communicate da Narni's importance and grandeur.The Gattamelata is considered one of Donatello's most important and groundbreaking works for both its subject matter and composition. The statute depicts Erasmo de Narni, who served under the Republic of Venice. Donatello was a Florentine master who revolutionized sculpture during the Early Renaissance. Princeton University Press, 1979 • Lightbown, R. W. Donatello and Michelozzo: Artistic Partnership and Its Patrons in the Early Renaissance. This oversized depiction of the famously democratic Roman emperor-philosopher influenced even the great Michelangelo and is today situated in the Capitoline Hill Museum in Rome.Andrea Verrocchio, Equestrian Statue of Bartolomeo Colleoni: The Colleoni, an equestrian statue of condottiere Bartolomeo Colleoni, was completed by Andrea Verrocchio some time during the mid to late fifteenth century. The Equestrian statue of Gattamelata is an early piece that made its way in during the Italian Renaissance. From Art History 101, Donatello, Equestrian Monument of Erasmo da Narni (Gattamelata) (1443-1453), Bronze, 371 cm This 12 foot tall statue lies in Padua, Italy and was erected in 1453. Biographies, commentaries, guided tours, free postcard service, mobile version are provided. Donatello's traditionally-meticulous attention to detail is obvious in all aspects of the Gattamelata, from the reliefs at the base of the pedestal to Erasmo da Narni's face.Often compared to the oversized classic equestrian statue of Marcus Aurelius, the Gattamelata is nonetheless unique and, many scholars argue, far superior because of its reliance on emotion, composition, and symbolism - rather than sheer size - to communicate its subject's power and authority.Composition: The Gattamelata sits atop a pedestal 25 feet high; the statue itself is over 12 feet high. Verrocchio and Donatello were contemporaries and it is likely that Verrocchio was heavily influenced by the Gattamelata. Abbeville Press, 1993 • Rea, Hope. He is dressed for battle and carrying a sword. While that rider is also in fairly realistic proportion to his horse, he lacks the strength of Gattamelata. There is no evidence suggesting that the Gattamelata was anything other than well received. In. The latter is portrayed as a real man, his armor a badge of status; this ruler, however, appears almost deflated, lost in the carefully sculpted drapery that covers him. Undoubtedly the Marcus Aurelius statue inspired Donatello. We just learned about the famous artwork Whistler's Mother. Storytelling in Christian Art from Giotto to Donatello. 28 February 2010. Equestrian Statue of Gattamelata by Donatello (1386-1466, Italy) | Paintings Reproductions Donatello | WahooArt.com. The realistic depiction of its muscular form reveals the Renaissance concern with anatomical study that was later developed in Leonardo da Vinci's studies for the Sforza equestrian monument. His military victories were well-known throughout the Italian city-states of the Pre-Renaissance period and his … 1) The imposing bronze equestrian statue of the Paduan condottiere Er- asmo da Narni (ca. FREE Returns All the time. Completed in 1450 and placed in the square facing the Basilica of St. Anthony, his Equestrian Monument of Gattamelatawas the first example of such a monument since ancient times. Instead of portraying the soldier as larger-than-life, as in the classical equestrian statue of Marcus Aurelius in Rome, where a sort of hierarchy of size demonstrates the subject's power, Donatello used emotion, position, and symbolism to convey the same message. Another element that Donatello took from ancient sculpture is the trick of adding a support (a sphere) under the raised front leg of the horse, which appears also in the lost Regisole of Pavia, a bronze equestrian statue from either the late Western Roman Empire, the Ostrogothic Kingdom or the Byzantine Exarchate of Ravenna. Valid today:18/03/2021. The first still existing Renaissance equestrian statue, reintroducing the grandeur of classical equestrian portraiture, is the statue by Donatello in Padua, Italy, of the condottiere known as Gattamelata (1453). Judith and Holofernes. Web. At the base of the pedestal are carved two reliefs, one featuring the da Narni coat of arms with two putti on either side, the other of angels clad in battle dress.Moving upward, da Narni's horse is powerfully built and its youthful musculature well-defined, indicative of close study of equine anatomy. Invented His Own Style Of Relief. (Other equestrian statues, from the 14th century, had not been executed in bronze and had been placed over tombs rather than erected independently, in a public plac… Equestrian Monument of Erasmo da Narni (Gattamelata), 1443-1453 Biography In the work of the early Renaissance sculptor Donatello (born Donato di Niccolò di Betto Bardi) life seems to … Though he was not as popular an artist as Michelangelo, he was noted for his marvelous details in terms of sculptures and statues. Equestrian statue of Gattamelata The Equestrian Statue of Gattamelata is a sculpture by Italian early Renaissance artist Donatello, dating from 1453, located in the Piazza del Santo in Padua, Italy, today. The other relief is of angels displaying battle armor.[5]. Forgotten Books, 2010 • Scott, Leader. (2) This essay addresses the impact of Greek, Roman, and humanist sources -- visual and literary -- upon Donatello's equestrian statue of Gattamelata and its audiences at Padua. Ghiberti and Donatello: With Other Early Italian Sculptors. The doors symbolize the gates of the underworld, lending the feeling of a tomb, though the monument was never a burial place. While Gattamelata died in his 70s, Donatello depicts him at the height of his power, further emphasizing his might and abilities.[5]. Sullivan, Mary Ann. It originally was displayed in an exterior niche of the church, where a copy now stands. This funny-sounding name was the nickname of Erasmo da Narni, a condottiere (mercenary) who fought for Venice and is the person depicted riding the horse. Verrocchio and Donatello were contemporaries and it is likely that Verrocchio was heavily influenced by the Gattamelata.Andrea del Castagno, Equestrian Fresco of Niccolo da Tolentino: A noted example is the fresco of condottiere Niccolo da Tolentino by Andrea del Castagno (also a contemporary of Donatello) on the north door of the Duomo in Florence. This was one of Donatello's biggest undertakings, with the final piece produced at life size. Equestrian statue of Gattamelata Artist Donatello Year 1453 Medium Bronze Height 134 in (340 cm) Location Piazza del Santo, Padua, Italy Famous Artwork by Donatello Saint Mark Zuccone The Feast of Herod David Equestrian statue of Gattamelata Judith and Holofernes The Equestrian statue of Gattamelata is an early piece that made its way in durin "The Early Renaissance: 1400–1494." Bas relief, or low relief, sculpture is one of the earliest forms of … Donatello and His World: Sculpture of the Italian Renaissance. One noted artist of that era was none other than Donatello (1386-1466). Donatello, Equestrian Monument of Gattamelata by Dr. Beth Harris and Dr. Steven Zucker Donatello, Equestrian Monument of Gattamelata (Erasmo da Narni) , … 1386–1466)". This is especially rare and noticeable as Gattamelata was not a head of state. The artist crafted the Gattamelata as a tribute to both the military leader and the individualism so revered during the Renaissance. The Equestrian statue of Gattamelata is a sharp departure from earlier, post-Classical equestrian statues, such as the Gothic Bamberg Horseman (c. 1230s).
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